![]() Candid stories of Bodom touring the world, Laiho meeting his heroes, how a Bodom album comes together gives us a side of the band we rarely see. There are so many issues, you’re ready to move on to something else.ĭespite its issues, the book has its enjoyable moments. Paragraphs are disrupted with repetitive quotes that add nothing to the book. Chapters start with unnecessary summaries of what Laiho talks about. The bizarre stylistic choices make things more confusing. The editor fails at keeping Laiho focused, asking for clarification when needed, and cleaning up the text. Laiho’s narrative can be confusing as he jumps around in time or abruptly moves on to a different topic as if bored with the conversation. Rather than a linear story, it’s a bunch of anecdotes loosely strung together. It reads like a raw interview transcript. This feels like a missed opportunity for Laiho to connect with Bodom fans in similar situations.įor the most part, the book is a standard rock biography, but it suffers from poor writing and editing. We’ve seen more artists open up about their issues to keep conversations about mental health going. Mental health in the music community has been a hot topic over the past few years. He never goes into detail about how he got to that point, what he was feeling at the time, and how he overcame it. Unfortunately, he doesn’t spend much time on the topic. He doesn’t dance around it, rather he tackles it head on. These are the most honest parts of the book with Laiho bluntly addressing his issues. ![]() He even talks about his unstable history with alcohol. He discusses the anxiety and depression he faced on tour, which led to incidents of self-harm. The most compelling moments come when Laiho opens up about his mental health. Reading about his passion and the effort he put into his skill and the band gives you a newfound respect for the musician. His guitar skills sound so second nature you don’t realize how much work it took to get to that point. His detail about his guitars, having studied music theory, and the high standards he holds for himself as a musician gives us a glimpse at Laiho’s inner workings. Though he touches on his other hobbies – mainly cars – and his love life, he’s most passionate and detailed when talking about music. He wouldn’t pick up guitar until in his teens, but once he did, there was no going back. We get a glimpse at his fairly average homelife, schoolyears, and his time as a classical violin. He takes us through his childhood in Espoo, Finland, and how his passion for music started with the Dire Straits. Laiho gives us a chance to see the man behind the axe. Laiho’s journey from an aspiring musician in Finland to a global metal star is explored in the new English edition of Alexi Laiho – Chaos, Control, & Guitar by Peter Silas. It took a lot of mistakes, sweat, and practice to get there. But this success didn’t happen overnight. ![]() Frontman Alexi Laiho soon became known as one of the genre’s best guitarists. They became one of metal’s most recognizable acts with albums like Are You Dead Yet?, Follow the Reaper, and I Worship Chaos. The Kickstarter page itself says the product is estimated to arrive in November 2021, while a roadmap Chaos Audio has provided estimated shipping to begin in December 2021.When Children of Bodom crashed the metal scene back in 1997, they captivated listeners with their blend of death metal, rock, and power metal. The pedal is available to preorder now via Kickstarter, for a limited discounted price of $269. The brand describes it as “like the App Store… in a stompbox.” It’s not known at present whether that means some extra effects will need to be paid for. It does note that “many more” effects are to come, and that the connectivity of the app allows for firmware updates and new effects to be added. Notably, Chaos Audio’s product page makes no mention of cabinet simulation or impulse responses, which have become commonplace in multi-effects units. The current selection includes 15 effects in total. Right now, the selection includes some effects taken from brands – such as the Electro-Harmonix Screaming Bird treble booster and the Dunlop Fuzz Face, as well as some generic effects such as a reverb, delay and phaser. Using the Chaos Audio app, you can then chain up to five effects together. ![]() Users have to connect a smartphone – either iOS or Android – to the Stratus to access in-depth tone editing. There’s also no screen as you would find in multi-effects units such as the Line 6 HX Stomp, only an LED strip along the top for visual feedback. While the pedal promises multi-effects functionality, there’s no onboard editing aside from the control knob. ![]()
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